torsdag 20 mars 2014

The Color Purple – The conflicts



Internal conflicts:
The most profound conflicts of this novel are the internal conflicts that reside within Celie. Firstly I believe she struggles with her belief regarding whether God exist or not. Throughout the novel Celie has endured abuse, rape and assault both from her father and her husband and her only consolation was to write letters to God, praying for help. However she starts to doubt her faith in God hence if God really existed and loved her he would have helped her.

Dear Nettie,
I don’t write to God no more, I write to you. /… / What God do for me? I ast  /… / Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won’t ever see again.
(The Color Purple, p.173)

                                                                                      
Secondly, throughout the novel Celie had a problem coming to terms with her sexuality. She did not understand the feelings she felt towards Shug and she did not think she was entitled to have those kinds of feelings towards a person of the same sex.  



External conflicts:
One of the most prominent and, in my opinion, most important external conflicts is the role of men and women in the novel. To the men, women are someone who is not allowed to have an opinion and they are for no good but to serve them, to cook for them, wash their clothes and raise their children. They see women as nothing more than well, just women. Also the men see themselves as the head of the house, the dominant person whose obligation is to make their wife obey his rules and if not, beating her is the solution.

There is a way that the men speak to women that reminds me too much of Pa. They listen just long enough to issue instructions. They don’t even look at women when women are speaking. They look at the ground and bend their heads toward the ground. The women also do not look in a man’s face’ as they say. To ‘look in a man’s face’ is a brazen thing to do. They look instead at his feet or his knees.
(The Color Purple, p.146)





















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